{"id":99742,"date":"2024-02-11T10:30:45","date_gmt":"2024-02-11T09:30:45","guid":{"rendered":"https:\/\/spaziospadoni.org\/?p=99742"},"modified":"2026-10-13T17:16:08","modified_gmt":"2026-10-13T16:16:08","slug":"visitar-a-los-enfermos-la-obra-de-misericordia-revelada-por-el-arte","status":"publish","type":"post","link":"https:\/\/spaziospadoni.org\/es\/visitar-a-los-enfermos-la-obra-de-misericordia-revelada-por-el-arte\/","title":{"rendered":"Visitar a los enfermos: la obra de misericordia revelada por el arte"},"content":{"rendered":"\n

La obra de misericordia corporal \u00abvisitar a los enfermos\u00bb vista a trav\u00e9s de dos pinturas.<\/p>\n\n\n\n

Como es sabido, la imagen constituye con frecuencia el recurso m\u00e1s directo e elocuente para transmitir un pensamiento, una acci\u00f3n o un sentimiento. La Iglesia comprendi\u00f3 desde hace siglos la fuerza de este medio accesible para todos, encomendando a m\u00faltiples artistas la tarea de transmitir mensajes decisivos.<\/p>\n\n\n\n

La dolorosa experiencia de la enfermedad<\/h2>\n\n\n\n

\u00abLa sala de las agitadas\u00bb de Telemaco Signorini (1865) plasma fielmente el trance en el que se halla el esp\u00edritu humano ante la certeza de una enfermedad grave. La mente, que no siempre asimila la fragilidad, reacciona a menudo de forma imprevista y dif\u00edcil de gobernar.<\/p>\n\n\n

\n
\"\"
Wikipedia<\/em><\/a><\/figcaption><\/figure>\n<\/div>\n\n\n

Muchas de las conductas de quien sufre nos recuerdan que no solo precisa tratamientos cl\u00ednicos, sino compa\u00f1\u00eda, escucha y alivio. En la estancia fr\u00eda y desolada retratada por Signorini para albergar a las \u00ablocas\u00bb, la parte alta de la escena muestra un inmenso vac\u00edo intensificado por la luz cetrina que cae sobre las figuras.<\/p>\n\n\n\n

Es el vac\u00edo del dolor y de la incertidumbre ante el porvenir. Dado que todos hemos conocido de cerca la debilidad corporal, resulta evidente la llamada de la Iglesia a socorrer y acompa\u00f1ar a los enfermos.<\/p>\n\n\n\n

La calidez de la cercan\u00eda<\/h2>\n\n\n\n

En contraste, brota una serena paz del lienzo de Albert Anker (Suiza 1831-1910) \u00abLa devoci\u00f3n al abuelo\u00bb, pintado en 1893. En un rinc\u00f3n de una estancia sencilla, el pintor muestra al anciano recostado entre cojines, abrigado con su manta y con la mirada reflexiva, mientras su nieto, ataviado con un delantal de trabajo, se afana en leerle un libro con dedicaci\u00f3n.<\/p>\n\n\n\n

El semblante del ni\u00f1o refleja su empe\u00f1o por agradar al abuelo, hacerle amena la jornada y apartar la aflicci\u00f3n de su mente. Los c\u00e1lidos tonos casta\u00f1os crean una atm\u00f3sfera sosegada, recordando que las cargas vitales se mitigan gracias a la solicitud amorosa de quien practica esta entra\u00f1able obra de caridad.<\/p>\n\n\n\n

Innumerables creadores conocieron este pesar y lo tradujeron en caridad viva y obras imperecederas.<\/p>\n\n\n\n

Imagen de portada: <\/strong>Biblioterapia italiana<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

La obra de misericordia corporal \u00abvisitar a los enfermos\u00bb vista a trav\u00e9s de dos pinturas. Como es sabido, la imagen constituye con frecuencia el recurso m\u00e1s directo e elocuente para transmitir un pensamiento, una acci\u00f3n o un sentimiento. La Iglesia comprendi\u00f3 desde hace siglos la fuerza de este medio accesible para todos, encomendando a m\u00faltiples … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":43,"featured_media":99744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","ss_featured_image_title":"","ss_featured_image_alt":"\u00abA Devo\u00e7\u00e3o ao Av\u00f4\u00bb,","ss_featured_image_caption":"\u00abA Devo\u00e7\u00e3o ao Av\u00f4\u00bb, de Albert Anker, 1893, expressa visualmente o cuidado associado \u00e0 obra de miseric\u00f3rdia \u00abVisitar os 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