{"id":99861,"date":"2024-08-25T02:00:26","date_gmt":"2024-08-25T01:00:26","guid":{"rendered":"https:\/\/spaziospadoni.org\/?p=99861"},"modified":"2026-10-13T22:18:00","modified_gmt":"2026-10-13T21:18:00","slug":"con-los-ojos-del-arte-corregir-al-que-se-equivoca","status":"publish","type":"post","link":"https:\/\/spaziospadoni.org\/es\/con-los-ojos-del-arte-corregir-al-que-se-equivoca\/","title":{"rendered":"Con los ojos del Arte: Corregir al que se equivoca"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>La Obra de misericordia espiritual \u00abcorregir al que yerra\u00bb a trav\u00e9s de algunas obras maestras<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Domenico Fetti (1589-1623), pintor italiano del primer barroco, realiz\u00f3 en 1619 esta obra conservada en el Metropolitan Museum, centrada en \u00abcorregir al que yerra\u00bb conforme al relato evang\u00e9lico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La correcci\u00f3n fraterna requiere un equilibrio humano, una labor interior enriquecida por un hondo sentido de fe y misericordia. El papa Francisco, en una homil\u00eda en Santa Marta dedicada a la correcci\u00f3n fraterna, ense\u00f1a: si no eres capaz de hacerla con amor, con caridad en la verdad y con humildad, ofender\u00e1s\u2026 como dice Jes\u00fas: \u00abHip\u00f3crita, saca primero la viga de tu propio ojo\u00bb; reconoce que eres m\u00e1s pecador que el pr\u00f3jimo, \u00a1pero t\u00fa, como hermano, debes ayudar a corregirlo!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La correcci\u00f3n a menudo debe ejercerse con firmeza y entereza por quien ostenta una autoridad particular, como la demostrada por Jes\u00fas al expulsar a los mercaderes del templo con santa indignaci\u00f3n, restableciendo la sacralidad del recinto y ratificando la primac\u00eda de la voluntad de Dios.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En el cuadro de 1872 de C. H. Bloch, dentro de la agitaci\u00f3n propia de un mercado, entre vendedores de ropas coloridas, asombrados pero no sublevados, Jes\u00fas alza su brazo para advertir sin lastimar a nadie, se\u00f1alando la salida y volcando las mesas. El Maestro de quien aprender a afrontar toda encrucijada vital, incluso la m\u00e1s adversa, es Jes\u00fas, de quien aprendieron tantos santos insignes. El Evangelio abunda en pasajes sobre el pecado y los pecadores.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jes\u00fas proclama: \u00abEs imposible que no vengan esc\u00e1ndalos, pero \u00a1ay de aquel por quien vienen!\u2026 Si no os convert\u00eds y os hac\u00e9is como ni\u00f1os, no entrar\u00e9is en el reino de los cielos\u00bb. Advierte y orienta hacia el sendero de la conversi\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Domenico Piola, en el lienzo del siglo XVII custodiado en el Palazzo Spinola de G\u00e9nova, sit\u00faa al Maestro en el centro de la escena, sentado en medio de un auditorio; se\u00f1ala a un ni\u00f1o ante los presentes quienes, gesticulando abiertamente, lo rodean atentos a sus palabras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los rostros de los personajes est\u00e1n concebidos con maestr\u00eda, desde la di\u00e1fana pureza del ni\u00f1o hasta la de los adultos, exteriorizando con sutileza las reacciones provocadas por estas ense\u00f1anzas, concebidas para interpelar a todos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hermosas resultan las par\u00e1bolas donde su actitud hacia quien ha errado manifiesta siempre una amonestaci\u00f3n colmada de caridad. Uno de los pasajes m\u00e1s elocuentes narrados por los evangelistas, donde aprendemos a proceder con misericordia, es el encuentro de Jes\u00fas con la mujer pecadora y sus acusadores.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pieter Van Lint, pintor del siglo XVII de Amberes, plasm\u00f3 con exactitud la escena del Evangelio de Juan en la que Jes\u00fas, en el templo, se inclina para escribir en el suelo mientras una ad\u00faltera va a ser sentenciada a muerte. Los concurrentes exhiben ropajes suntuosos representativos de su posici\u00f3n social, mientras la mujer, guarecida tras \u00e9l, derrama l\u00e1grimas confiando en sus palabras, al tiempo que j\u00f3venes y ancianos deliberan y se retiran discretamente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No obstante, el artista que mejor expres\u00f3 la ternura de aquel suceso fue Caliari, apodado el Veron\u00e9s (1528-1588). En su composici\u00f3n de la National Gallery de Londres, el espectador contempla dos centros de gravedad: el Cristo solemne que se inclina afablemente hacia la mujer, y la pecadora que, postrada y sostenida por sus acompa\u00f1antes, aguarda la sentencia. El autor inmortaliza el momento en que Jes\u00fas pregunta: \u00ab\u00bfNinguno te ha condenado?\u2026 Tampoco yo te condeno; anda, y en adelante no peques m\u00e1s\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La iluminaci\u00f3n y las tonalidades pastel componen sutiles armon\u00edas que ensalzan la trascendencia espiritual de la escena. Cada figura se distingue por su adem\u00e1n y emoci\u00f3n, exaltando la hermosura de la misericordia divina presente en el rostro bondadoso de Cristo y en el gesto de sus manos abiertas al perd\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Foto:<\/strong><a href=\"https:\/\/it.wikipedia.org\/wiki\/File:Cristo_y_la_mujer_adultera.jpg\" target=\"_blank\" rel=\"noreferrer noopener nofollow\" title=\"Wikipedia\"><strong> <\/strong>Wikipedia<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Obra de misericordia espiritual \u00abcorregir al que yerra\u00bb a trav\u00e9s de algunas obras maestras Domenico Fetti (1589-1623), pintor italiano del primer barroco, realiz\u00f3 en 1619 esta obra conservada en el Metropolitan Museum, centrada en \u00abcorregir al que yerra\u00bb conforme al relato evang\u00e9lico. La correcci\u00f3n fraterna requiere un equilibrio humano, una labor interior enriquecida por &#8230; <a title=\"Con los ojos del Arte: Corregir al que se equivoca\" class=\"read-more\" href=\"https:\/\/spaziospadoni.org\/es\/con-los-ojos-del-arte-corregir-al-que-se-equivoca\/\" aria-label=\"Leer m\u00e1s sobre Con los ojos del Arte: Corregir al que se equivoca\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":43,"featured_media":99862,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","ss_featured_image_title":"","ss_featured_image_alt":"\u00abCristo y la mujer ad\u00faltera\u00bb","ss_featured_image_caption":"\u00abCristo y la mujer ad\u00faltera\u00bb, de Pieter van Lint","footnotes":""},"categories":[2390],"tags":[10934,2621,2654],"class_list":["post-99861","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comentarios-sobre-las-obras-de-misericordia","tag-amonestar-a-los-pecadores","tag-evangelio","tag-jesus-es","infinite-scroll-item","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Corregir al que yerra: la Obra de misericordia en el arte<\/title>\n<meta name=\"description\" content=\"La Obra de misericordia espiritual de corregir al pecador a trav\u00e9s de las obras maestras del arte y de Cristo.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/spaziospadoni.org\/es\/con-los-ojos-del-arte-corregir-al-que-se-equivoca\/\" 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