{"id":99878,"date":"2024-08-11T02:00:08","date_gmt":"2024-08-11T01:00:08","guid":{"rendered":"https:\/\/spaziospadoni.org\/?p=99878"},"modified":"2026-10-13T22:40:32","modified_gmt":"2026-10-13T21:40:32","slug":"con-los-ojos-del-arte-consolar-a-los-afligidos","status":"publish","type":"post","link":"https:\/\/spaziospadoni.org\/es\/con-los-ojos-del-arte-consolar-a-los-afligidos\/","title":{"rendered":"Con los ojos del Arte: Consolar a los afligidos"},"content":{"rendered":"\n

La Obra de Misericordia espiritual \u00abconsolar a los afligidos\u00bb vista a trav\u00e9s de diferentes artistas.<\/em><\/p>\n\n\n\n

Esta Obra de Misericordia espiritual tiene el prop\u00f3sito de levantar al ser humano de la aflicci\u00f3n, un estado particular de dolor en el que puede encontrarse el alma humana.<\/p>\n\n\n\n

Vincenzo Cabianca<\/h2>\n\n\n\n

Es uno de los macchiaioli toscanos m\u00e1s conocidos (vivi\u00f3 entre 1827 y 1902) y pint\u00f3 en 1858 el cuadro \u00abLa abandonada\u00bb, donde expresa mejor que las palabras la desaz\u00f3n y la impotencia que se siente al intentar consolar a los afligidos.<\/p>\n\n\n\n

Todo transcurre en el ambiente de una modesta casa de provincias, humilde pero digna, donde una mujer desconsolada se entrega a su pesar, mientras en un rinc\u00f3n de la estancia una anciana madre y un docto visitante cruzan miradas, sin saber c\u00f3mo actuar ante semejante dolor.<\/p>\n\n\n\n

El juego de luces y sombras, con tonalidades c\u00e1lidas que se alternan, hace a\u00fan m\u00e1s palpable la triste condici\u00f3n de los personajes.<\/p>\n\n\n\n

Giorgio Vasari<\/h2>\n\n\n\n

El Evangelio relata en repetidas ocasiones la aflicci\u00f3n de Jes\u00fas ante L\u00e1zaro, ante Jerusal\u00e9n y ante la dureza del coraz\u00f3n humano, entre ellas el momento en que se detiene a consolar a las mujeres que lo acompa\u00f1an camino del Calvario.<\/p>\n\n\n\n

Vasari (1511-1574), insigne escritor, arquitecto y pintor renacentista, plasm\u00f3 este pasaje con gran dramatismo en la Bas\u00edlica de la Santa Cruz de Florencia. Las figuras aparecen apretadas, sin apenas espacio ni perspectiva, en una sucesi\u00f3n de gestos violentos, rostros fieros y armaduras resplandecientes.<\/p>\n\n\n\n

A un lado sit\u00faa a las piadosas mujeres que, movidas por la caridad misericordiosa, lo siguen y sostienen a su dolorida Madre. Entre ellas se acerca la Ver\u00f3nica para enjugarle el rostro: Jes\u00fas se detiene a consolar y es consolado por ese peque\u00f1o gesto de amor.<\/p>\n\n\n\n

Conmovido por tanta bondad, Jes\u00fas mira a la mujer que le limpia el rostro y pronuncia palabras de consuelo para las dem\u00e1s que lo rodean afligidas: miradas y palabras, peque\u00f1os actos de misericordia que parecen acallar la ferocidad humana.<\/p>\n\n\n\n

Silvestro Lega<\/h2>\n\n\n\n

Silvestro Lega (1826-1895), uno de los m\u00e1ximos exponentes de los macchiaioli toscanos, vivi\u00f3 humildemente durante toda su vida, legando sin embargo un tesoro pict\u00f3rico de incalculable valor como la obra \u00abLa visita\u00bb.<\/p>\n\n\n\n

Las familias que lo acogieron en las afueras de Florencia le permitieron trabajar y plasmar los momentos de la vida cotidiana del campo y la gente toscana. \u00abLa visita\u00bb refleja c\u00f3mo se afronta el dolor con una sencillez que se vuelve solemne.<\/p>\n\n\n\n

En la escena, la due\u00f1a de la casa, vestida de riguroso luto, sale al encuentro de dos j\u00f3venes hermanas que la saludan con afecto, mientras la madre de las muchachas se dispone a unirse al grupo.<\/p>\n\n\n\n

El ambiente invernal, el aire fr\u00edo y los \u00e1rboles desnudos del jard\u00edn transmiten el pesar que embarga a la anfitriona. La serena sobriedad de las figuras pone de relieve cu\u00e1n reconfortante es el afecto de los amigos que acuden al encuentro de quien sufre.<\/p>\n\n\n\n

Inmensa fue tambi\u00e9n la aflicci\u00f3n del pintor cuando los miembros de la familia que lo hospedaba fallecieron sucesivamente a causa de la tisis; sin embargo, el consuelo y la hospitalidad de sus allegados fueron fundamentales. Gracias a ellos recobr\u00f3 su labor art\u00edstica, aunque contrajo una enfermedad ocular y falleci\u00f3 en 1892 a causa de un c\u00e1ncer de est\u00f3mago, cuidado y consolado hasta el final por sus amigos.<\/p>\n\n\n\n

Hoy en d\u00eda encontramos constantemente situaciones de desdicha y sufrimiento que no pueden dejarnos indiferentes. No se nos exigen grandes haza\u00f1as: la misericordia de Dios siempre triunfa, aunque sea a trav\u00e9s de una palabra de alivio, una peque\u00f1a ayuda o una visita cercana a quien est\u00e1 a solas con su dolor.<\/p>\n\n\n\n

Foto de Wikipedia<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

La Obra de Misericordia espiritual \u00abconsolar a los afligidos\u00bb vista a trav\u00e9s de diferentes artistas. Esta Obra de Misericordia espiritual tiene el prop\u00f3sito de levantar al ser humano de la aflicci\u00f3n, un estado particular de dolor en el que puede encontrarse el alma humana. Vincenzo Cabianca Es uno de los macchiaioli toscanos m\u00e1s conocidos (vivi\u00f3 … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":43,"featured_media":99879,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","ss_featured_image_title":"","ss_featured_image_alt":"\u00abLa mujer abandonada\u00bb","ss_featured_image_caption":"\u00abLa mujer abandonada\u00bb (1858), una pintura de Vincenzo 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