{"id":99691,"date":"2024-05-19T00:01:06","date_gmt":"2024-05-18T23:01:06","guid":{"rendered":"https:\/\/spaziospadoni.org\/?p=99691"},"modified":"2026-10-13T15:58:33","modified_gmt":"2026-10-13T14:58:33","slug":"vetir-ceux-qui-sont-nus-loeuvre-de-misericorde-a-travers-lart","status":"publish","type":"post","link":"https:\/\/spaziospadoni.org\/fr\/vetir-ceux-qui-sont-nus-loeuvre-de-misericorde-a-travers-lart\/","title":{"rendered":"V\u00eatir ceux qui sont nus : l’\u0152uvre de Mis\u00e9ricorde \u00e0 travers l’art"},"content":{"rendered":"\n

L\u2019\u0152uvre de Mis\u00e9ricorde corporelle \u00ab v\u00eatir ceux qui sont nus \u00bb vue \u00e0 travers quelques peintres<\/h2>\n\n\n\n

Chacun est une \u00e2me nue et ressent le besoin de se v\u00eatir d\u2019un habit de respectabilit\u00e9, de qualit\u00e9s appr\u00e9ci\u00e9es par autrui, pour donner un sens \u00e0 sa vie et se sentir concr\u00e8tement quelqu\u2019un (Pirandello).<\/p>\n\n\n\n

Cette \u0152uvre de Mis\u00e9ricorde trouve son origine dans le geste de Dieu qui couvrit la nudit\u00e9 humaine de nos premiers parents apr\u00e8s le p\u00e9ch\u00e9 originel : \u00ab Le Seigneur Dieu fit \u00e0 l\u2019homme et \u00e0 sa femme des tuniques de peau et les en rev\u00eatit \u00bb.<\/p>\n\n\n\n

Accueillant les limites de la fragilit\u00e9 d\u2019o\u00f9 na\u00eet le d\u00e9sarroi face \u00e0 autrui, Dieu intervient avec promptitude et fait face \u00e0 cette douloureuse condition. C\u2019est l\u2019amour mis\u00e9ricordieux pour Ses cr\u00e9atures qui L\u2019a conduit \u00e0 rem\u00e9dier \u00e0 cette situation honteuse dans laquelle se trouvaient nos premiers parents.<\/p>\n\n\n

\n
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wikipedia.org<\/a><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Dans le tableau de 1626, destin\u00e9 \u00e0 \u00eatre admir\u00e9 dans les plus grandes expositions et pinacoth\u00e8ques du monde, le Dominiquin (1581-1641), peintre et architecte, brosse un panorama du paradis terrestre o\u00f9 la nature intacte manifeste encore la paix entre le lion et l\u2019agneau.<\/p>\n\n\n\n

Les figures au relief plastique presque sculptural s\u2019int\u00e8grent dans un cadre sc\u00e9nique d\u2019un grand raffinement. Dans le coin gauche, \u00c8ve d\u00e9signe le serpent rampant encore \u00e0 ses pieds, tandis qu\u2019Adam se justifie en d\u00e9signant \u00c8ve ; en haut \u00e0 droite, Dieu est entour\u00e9 d\u2019anges, tout comme l\u2019artiste l\u2019avait contempl\u00e9 dans la chapelle Sixtine, t\u00e9moignant ainsi de son admiration et de son hommage \u00e0 Michel-Ange.<\/p>\n\n\n\n

Le visage de Dieu le P\u00e8re exprime la compassion et la tendresse, mais son geste traduit les lourdes cons\u00e9quences de cette d\u00e9sob\u00e9issance et L\u2019am\u00e8ne \u00e0 y rem\u00e9dier en les v\u00eatant. Les couleurs chaudes et la lumi\u00e8re issue de diverses sources soulignent les d\u00e9tails les plus marquants, faisant de l\u2019ensemble un r\u00e9cit f\u00e9erique et paradisiaque de l\u2019\u00e9pisode biblique.<\/p>\n\n\n\n

L\u2019acte de v\u00eatir celui qui est dans le d\u00e9nuement implique de prendre soin de la personne en lui restituant le sentiment de dignit\u00e9 qu\u2019elle avait progressivement perdu au fil des \u00e9preuves de la vie.<\/p>\n\n\n\n

C\u2019est au XVe si\u00e8cle que remonte la fresque de Francesco d\u2019Antonio, collaborateur de Ghirlandaio, r\u00e9alis\u00e9e pour l\u2019Ospizio dei Buonomini \u00e0 Florence, montrant des personnages remettant des v\u00eatements aux n\u00e9cessiteux au sein d\u2019une architecture d\u2019\u00e9poque.<\/p>\n\n\n\n

Ce qui \u00e9meut dans cette \u0153uvre aux teintes douces, c\u2019est l\u2019attitude humble et respectueuse de tous les personnages qui, \u00e9clair\u00e9s par une lumi\u00e8re claire et diffuse, s\u2019appr\u00eatent \u00e0 donner et \u00e0 recevoir.<\/p>\n\n\n\n

Une \u0153uvre remarquable par sa simplicit\u00e9 descriptive, qui montre admirablement que v\u00eatir celui qui est nu ne consiste pas seulement \u00e0 prot\u00e9ger son corps, mais \u00e0 lui redonner courage et \u00e0 le soutenir psychologiquement et spirituellement pour avancer dans la soci\u00e9t\u00e9.<\/p>\n\n\n\n

Cette \u0152uvre de Mis\u00e9ricorde a rendu \u00ab c\u00e9l\u00e8bre \u00bb un chevalier du IVe si\u00e8cle devenu par la suite un grand saint : saint Martin de Tours, auquel Lucques a consacr\u00e9 une imposante cath\u00e9drale en 1070.<\/p>\n\n\n\n

\u00c0 partir de l\u2019an mil, une remarquable floraison de cath\u00e9drales voit le jour avec de riches ornements sculpturaux destin\u00e9s \u00e0 transmettre le message chr\u00e9tien pour le culte et la m\u00e9ditation.<\/p>\n\n\n\n

Selon des auteurs r\u00e9put\u00e9s, Lucques fut l\u2019une des premi\u00e8res cit\u00e9s de Toscane \u00e0 embrasser la foi chr\u00e9tienne et \u00e0 encourager le passage des p\u00e8lerins cheminant sur la Via Francigena vers Rome.<\/p>\n\n\n\n

Les r\u00e9cits chevaleresques prenaient de multiples formes au Moyen \u00c2ge, et Martin en faisait partie : membre de la garde imp\u00e9riale romaine, il veillait \u00e0 l\u2019ordre public.<\/p>\n\n\n\n

Au cours d\u2019une de ses rondes, durant le rigoureux hiver de 335, il rencontra un mendiant d\u00e9v\u00eatu. Les cavaliers de l\u2019\u00e9poque avaient l\u2019obligation absolue de regagner la caserne avec leur manteau, sous peine de lourdes sanctions. Voyant cet homme souffrir, Martin coupa son manteau en deux \u00e0 l\u2019aide de son \u00e9p\u00e9e. La nuit suivante, il vit J\u00e9sus en songe lui d\u00e9clarant : \u00ab Voici Martin, le soldat romain non baptis\u00e9 ; il m\u2019a rev\u00eatu \u00bb. \u00c0 son r\u00e9veil, son manteau \u00e9tait intact. \u00c0 Lucques, sur la fa\u00e7ade de la cath\u00e9drale, s\u2019\u00e9l\u00e8ve l\u2019un des ensembles sculpturaux les plus originaux du Moyen \u00c2ge italien : saint Martin et le pauvre du XIIIe si\u00e8cle. Le groupe ext\u00e9rieur est une reproduction de l\u2019original attribu\u00e9 \u00e0 Guido da Como, conserv\u00e9 \u00e0 l\u2019int\u00e9rieur de l’\u00e9difice.<\/p>\n\n\n\n

La silhouette du saint au visage juv\u00e9nile, juch\u00e9 sur son cheval, est repr\u00e9sent\u00e9e au moment o\u00f9 il tranche son manteau. Le pauvre tend ses bras nus pour accueillir le pr\u00e9sent du soldat, tandis que ses jambes l\u00e9g\u00e8rement fl\u00e9chies soulignent une humble supplication.<\/p>\n\n\n\n

L\u2019ensemble est \u00e9quilibr\u00e9 et sculpt\u00e9 avec pr\u00e9cision, \u00e0 l\u2019instar des plis des \u00e9toffes qui dissipent toute impression d\u2019immobilit\u00e9 et permettent \u00e0 la lumi\u00e8re d\u2019engendrer de subtiles variations de clair-obscur.<\/p>\n\n\n\n

M\u00eame l\u2019\u00e9p\u00e9e, tenue \u00e0 l\u2019horizontale, abandonne sa fonction meurtri\u00e8re pour effleurer doucement l\u2019\u00e9paule du mendiant, esquissant un lien fraternel. La t\u00eate du cheval elle-m\u00eame semble se tourner vers le pauvre, comme si l\u2019animal saisissait la port\u00e9e du geste.<\/p>\n\n\n\n

L\u2019enseignement qui se d\u00e9gage de cet \u00e9pisode est plus actuel que jamais, alors que notre \u00e9poque conna\u00eet un nombre consid\u00e9rable de r\u00e9fugi\u00e9s d\u00e9pourvus d\u2019effets vestimentaires \u00e9l\u00e9mentaires.<\/p>\n\n\n\n

Les chr\u00e9tiens, dans leurs d\u00e9marches de charit\u00e9 envers les personnes d\u00e9munies, sont appel\u00e9s \u00e0 prendre conscience qu\u2019ils sont le reflet vivant et le t\u00e9moignage de la mis\u00e9ricorde divine.<\/p>\n\n\n\n

Par ailleurs, nos armoires regorgent de v\u00eatements dont nous pouvons ais\u00e9ment nous s\u00e9parer.<\/p>\n\n\n\n

Nous devons sans cesse accomplir cet acte avec cet amour et cette d\u00e9f\u00e9rence n\u00e9s de la certitude que dans l\u2019autre, nous avons rev\u00eatu le Christ : \u00ab J\u2019\u00e9tais nu, et vous m\u2019avez v\u00eatu \u00bb (Mt 25, 36).<\/p>\n\n\n\n

Image de couverture : <\/strong>Wikip\u00e9dia<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019\u0152uvre de Mis\u00e9ricorde corporelle \u00ab v\u00eatir ceux qui sont nus \u00bb vue \u00e0 travers quelques peintres Chacun est une \u00e2me nue et ressent le besoin de se v\u00eatir d\u2019un habit de respectabilit\u00e9, de qualit\u00e9s appr\u00e9ci\u00e9es par autrui, pour donner un sens \u00e0 sa vie et se sentir concr\u00e8tement quelqu\u2019un (Pirandello). Cette \u0152uvre de Mis\u00e9ricorde trouve … Lire plus<\/a><\/p>\n","protected":false},"author":43,"featured_media":99693,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","ss_featured_image_title":"","ss_featured_image_alt":"Collaborateur de Ghirlandaio","ss_featured_image_caption":"A pintura de um colaborador de Ghirlandaio (possivelmente Francesco D\u2019Antonio) retrata a obra de miseric\u00f3rdia \u00abVestir os nus\u00bb.","footnotes":""},"categories":[2388],"tags":[2614,2738,2616,3211,2652],"class_list":["post-99691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-commentaires-des-oeuvres-de-misericorde","tag-eglise-catholique","tag-eglise-dans-le-monde","tag-evangile","tag-habiller-le-nu","tag-jesus-fr","infinite-scroll-item","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"yoast_head":"\nV\u00eatir ceux qui sont nus : l'\u0152uvre de Mis\u00e9ricorde<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez l'\u0152uvre de Mis\u00e9ricorde de v\u00eatir ceux qui sont nus \u00e0 travers les chefs-d'\u0153uvre de Dominiquin, Francesco d'Antonio et saint Martin.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/spaziospadoni.org\/fr\/vetir-ceux-qui-sont-nus-loeuvre-de-misericorde-a-travers-lart\/\" 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